Last Wednesday I showed the first part of this issue of
Cracked Collectors' Edition which boasted TOP 100 LAUGHS. Someone on Facebook pointed out that having “
Cracked” and “Top 100 Laughs” in the same sentence was somewhat of an oxymoron like “military intelligence” or “jumbo shrimp”. Looking at these issues as an adult, I think the art in
Cracked is better than the art in
Mad, but what do I know? Judge for yourself.
Here's some Shut-Ups from #209, January 1985 by
Don Orehek

From
Cracked Collectors' Edition #9 in 1975, by
John Severin

From #76, May 1969, by
Bill Ward. Much of his work is signed “McCartney” which I think was to differentiate from the pin-up art he was known for.

The next page of this magazine, from #74, January 1969, was already reprinted in the paperback
Cracked Up
From #73, November 1968. Some have asked if
Charles Rodrigues signed with pen names because of some sort of contractual obligation, but I think he was just doing it to be funny.

From #194, May 1983

From #75, April 1969

From #85, July 1970. Originally called
Cracked Looks at Television Viewers.

From #108, May 1973

From #104, October 1972

From #108

Also from #108

From #77, July 1969

From #105, November 1972

From #106, January 1973

From #78, August 1969

From #106
Sagebrush from #108,
Your Ancestors by
Lo Linkert from #110, August 1973.
Hudd & Dini by
Vic Martin from issue number 83, March 1970.

After that is a strip from
Monster Howls #1, December 1966.
More next Wednesday.
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