Rainy Day Sunshine Fun-Time Sunday Low-Res Cartoon Show #10

I couldn't find a host like I can when I play old records so I thought I could do the same with old cartoons as well. The rights are even more complicated here so I've gotten around it by only embedding things that have already been posted by someone else, absolving me altogether.

I take no responsibility for anything removed by the rightholders, watermarks from previous second-generation sources, editing, cropping, or other ways links that have been broken by parties other than me. Once in a while you'll come across offensive racial stereotypes. Remember the cartoon is about the story and not about them.

Beany and Cecil: A TRIP TO THE SCHMOON
Bob Clampett Productions, 1962 A GREEK TRAGEDY (Een Grieske Tragedie)
CineTe Productions (BE), 1985
dir: Nicole van Goethem
Academy Award winner Silly Symphonies: THREE ORPHAN KITTENS
Walt Disney Studios, 1935
dir: David Hand
Academy Award winner SOUND AND SMOKE (Schall und Rausch)
Fischerkösen-Filmstudio, 1933
dir:Hans Fischerkösen THE GALLANT LITTLE TAILOR
Primrose Productions, 1954
dirs: Lotte Reininger, Vivian Milroy HASHER'S DELIRIUM
Gaumont French, 1910
dir: Emil Cohl Pixie & Dixie: DINKY JINKS
Hanna-Barbera Studios, 1958
THE HOFFNUNG MAESTRO
Halas and Batchelor Cartoon Films, 1965
dirs: John Halas, Harold Whitaker Fractured Fairy Tales: PINNOCHIO
Jay Ward Productions, 1960 POPEYE THE LIFEGUARD
King Features TV Syndicate, 1960
dir: Jack Kinney PETER ROLEUM AND HIS COUSINS
Loucks and Norling Studios, 1939
dir: Joseph Losey SUMMERTIME
Celebrity Productions Inc., 1935
dir:Ub Iwerks EVERY CHILD
National Film Board of Canada, 1979
dir: Eugene Fedorenko
Academy Award winner Little Lulu: THE BABY SITTER
Famous Studios, 1947
dir: Seymour Kneitel

World Encyclopedia of Cartoons G-K

William Ellis Greene (Weg)

Maurice Henry

Don Herold

Syd Hoff, for Collier's

Gerard Hoffnung, for Punch



Poul Holck

Lee Holley, Ponytail, the Four Color version soon to be a Magic Whistle blogpost when I get to it.

Alberto Huici, Ja-Ja

Once again from the The World Encyclopedia of Cartoons from which this came:

“ALBERTO HUICI (1929-?) exhibited a love from drawing at an early age, and he sold his first cartoon in 1945, while still going to school. From then on he worked as a freelancer, contributing a number of cartoons to various Mexican newspapers and publications.

“In 1952 Huici went to Los Angeles and tried to break into the U.S. market. While submitting cartoons to various magazines (most of which sent back rejection slips), he worked as gas station attendant, dishwasher, and garbage collector in order to support himself. Coming to New York in 1954, Huici again was turned down more often than not, and he went back to Mexico City the following year. With the experience he had acquired in the United States, he soon rose to the top of his profession, having gag cartoons regularly published in the magazine Ja-Ja, and his political cartoons distributed by Editorial Excelsior. He also occasionally contributes cartoons to Los Angeles and New York publications.

“Huici's style is simple, almost stark, with weird characters cavorting in strange surroundings. His humor is mostly visual, and he uses captions sparingly. His cartoons have earned awards in the United States, Europe, and Central and South America, as well as in his native Mexico.”

Rube Goldberg's I'm The Guy

Ted Key, This Week


Walt Kuhn in 1903.

Kukrynisky, 1942

Still from The Human Zoo, an animated film by Yōji Kuri