Dorothy McKay
Esquire, January 1934
Esquire, January 1934
Charles Rodrigues
Hi-Life, August 1964
Chon Day
The New Yorker December 12, 1964
Charles Addams
The New Yorker December 15, 1962
Robert Day
The New Yorker December 19, 1964
Alan Dunn
The New Yorker December 19, 1964
Eldon Dedini
Playboy, January 1967
Phil Hahn and Paul Coker, Jr.
Playboy, December 1964
Douglas Sneyd
Playboy, December 1967
Punch December 22, 1915
Showing posts with label ALAN DUNN. Show all posts
Showing posts with label ALAN DUNN. Show all posts
Thursday, December 20, 2018
Thursday, October 16, 2014
New Yorker in Readers' Digest
The October 1941 issue of Reader's Digest had an article about the New Yorker cartoons.
Garrett Price Peter Arno Richard Decker, Richard Taylor George Price, Peter Arno (bottom)Barbara Shermund Perry Barlow (top) Helen Hokinson (top)Carl Rose (top) Alan Dunn Chon Day
Garrett Price Peter Arno Richard Decker, Richard Taylor George Price, Peter Arno (bottom)Barbara Shermund Perry Barlow (top) Helen Hokinson (top)Carl Rose (top) Alan Dunn Chon Day
Thursday, July 17, 2014
Comical-type art in America
These are more illustrations from Comic Art in America. These first few cartoons are from the chapter A Century of Magazines: From Corny Almanacks to The New Yorker and most here originally appeared in the New Yorker
Frank Modell, 1954 Robert Day, 1947 Alan Dunn, 1954 Whitney Darrow, Jr., 1958 There are captions for all the cartoons now. They say:
The unforgettable Bobby Clark, made even more unforgettable in this caricature by AL HIRSCHFELD This was before he did the “NINA”s he's known for. One of DON FLOWERS' curvy creations in a moment of fierce intellectual effort. Flowers' general title for this is Modest Maidens. (1949) A Miss Jones by GREG D' ALESSIO, a versatile cartoonist who here specializes in the thought processes of stenographers. The irrepressible REAMER KELLER this is from one of his Sunday pages. (1959) VIRGIL PARTCH ignoring time and space again. AL ROSS plumbs the mysteries of creation. (Look) A sample of ED REED's Off the Record. (1955) Frank O'Neal's FRANK O'NEAL's Short Ribs. O'Neal was a top-ranking panel cartoonist before he created this strip, which is one of the best of the simple, stylized, daily-gag strips. Life's Like That, a FRED NEHER panel of 1959. GEORGE CLARKE's panel The Neighbors. Only barely an exaggeration, and the basic problem is every parent's. (1948) AL FAGALY and HARRY SHORTEN's There Oughta Be a Law. More happy cynicism. A Side Glance by GAILBRAITH (WILLIAM GAILBRAITH CRAWFORD), who once directed his shafts at the moneyed and their mistresses, but in his newspaper pansl pokes fun at the happy middle classes. DUDLEY FISHER's Right Around Home. Confusion, if not chaos, is Fisher's specialty. (1945) They'll Do It Every Time, JIMMY HATLO's popular creation. The stuffed shirt punctured.
Frank Modell, 1954 Robert Day, 1947 Alan Dunn, 1954 Whitney Darrow, Jr., 1958 There are captions for all the cartoons now. They say:
The unforgettable Bobby Clark, made even more unforgettable in this caricature by AL HIRSCHFELD This was before he did the “NINA”s he's known for. One of DON FLOWERS' curvy creations in a moment of fierce intellectual effort. Flowers' general title for this is Modest Maidens. (1949) A Miss Jones by GREG D' ALESSIO, a versatile cartoonist who here specializes in the thought processes of stenographers. The irrepressible REAMER KELLER this is from one of his Sunday pages. (1959) VIRGIL PARTCH ignoring time and space again. AL ROSS plumbs the mysteries of creation. (Look) A sample of ED REED's Off the Record. (1955) Frank O'Neal's FRANK O'NEAL's Short Ribs. O'Neal was a top-ranking panel cartoonist before he created this strip, which is one of the best of the simple, stylized, daily-gag strips. Life's Like That, a FRED NEHER panel of 1959. GEORGE CLARKE's panel The Neighbors. Only barely an exaggeration, and the basic problem is every parent's. (1948) AL FAGALY and HARRY SHORTEN's There Oughta Be a Law. More happy cynicism. A Side Glance by GAILBRAITH (WILLIAM GAILBRAITH CRAWFORD), who once directed his shafts at the moneyed and their mistresses, but in his newspaper pansl pokes fun at the happy middle classes. DUDLEY FISHER's Right Around Home. Confusion, if not chaos, is Fisher's specialty. (1945) They'll Do It Every Time, JIMMY HATLO's popular creation. The stuffed shirt punctured.
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